Arcane ultratron humbucker8/31/2023 Sometimes players spend a long time learning really impressive things on a guitar, but those things don’t necessarily connect with people or fit within the context of a song. I think scales and technique are great, but the most productive way to learn is to stretch yourself as a writer. I grow as a player by learning how to play the melodies I hear in my head. The guitar gave both of those melodies such a different vibe and attitude that I loved, yet I never would have stumbled onto them writing with a good ol’ six string.”ĭo you still work on honing your guitar skills, or do you feel as though you’d rather invest more energy into developing your songwriting muscle? That’s how the Still Into You and Ain’t It Fun riffs both happened. “Sometimes when I’m not feeling particularly inspired by the guitar I like to write melodies on the piano, then learn them on guitar. That’s an essential part of the process, but a frustrating pill to swallow at times. You have to be okay with failure and subpar songs, too. Good songs will eventually show their faces in the midst of you just showing up every day. It’s not about trying to write a huge single or write what you think will be successful. I had to learn to really let my heart and mind be open so that I was available when inspiration struck. “I’ve always been lucky enough to have been a small part of the songwriting process on every Paramore record, however this was the first record that the bulk of the music writing was in my hands. When did you first start writing guitar music, and what are the key lessons you’ve learned as you’ve developed? You’re a key songwriter in Paramore, and the latest album is the band’s most mature yet. It was a lot of work and took longer than I wanted, but we eventually got it there! Now that we’ve proved that, though, it’s nice to let a real drummer do that part and I can just be a guitar player.” That EP was definitely a statement that we needed to make – that we could do it on our own – so no matter what I was determined to play drums on those songs. “Drumming is one of my favourite things in the world to do, so I was excited for the challenge, but I wasn’t experienced and felt a bit unprepared. How experienced a drummer were you at that time, and were you confident in your skills before going in to record it? So they all just sort of happened over time.” Production is just a lot of fun and is so interesting to me. Songwriting came mostly because our main songwriter with Hayley left the band, so I did my best to fill in the gap. I started as a drummer, however when we formed Paramore in the very beginning there was already a far better drummer, so I learned guitar so I could be a part of it. How did you set about adding these skills to your arsenal? Were they picked up by osmosis through spending time with other musicians, or did you specifically seek out these other avenues? You have a number of strings to your bow – guitar, drums, songwriting, production. If you love playing musical instruments, if you are a great fan of guitar music, Music Radar has a perfect interview for you! Click “read more” to see full text. This interview gives considerable insight into the background of Paramore’s music and aspects which usually, during talks about new music with mass media, are ignored. Recently Paramore’s lead guitarist talked to Music Radar and shared his lust-worthy live and studio setups and tried to explain what it takes to be a professional guitarist in 2014. While Hayley Williams is visiting radio stations, Taylor York is focusing on written interviews.
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